Martha Nussbaum has written an interesting review in the TLS of two books about India. They are Katherine Boo’s [amazon_link id=”1846274494″ target=”_blank” ]Behind the Beautiful Forevers[/amazon_link] and Siddartha Deb’s [amazon_link id=”0865478732″ target=”_blank” ]The Beautiful and the Damned: Life in the New India[/amazon_link].
[amazon_image id=”0865478732″ link=”true” target=”_blank” size=”medium” ]The Beautiful and the Damned: A Portrait of the New India[/amazon_image]
I’ve read and reviewed here the former, and haven’t read the latter. Nussbaum shares my caveat about Boo’s book, namely its use of novelistic techniques. She writes in her review:
“The English novel was a social protest movement from the start, and its aim (like that of many of its American descendants) was frequently to acquaint middle-class people with the reality of various social ills, in a way that would involve real vision and feeling. [amazon_link id=”B000JQUT8S” target=”_blank” ]Dickens[/amazon_link] wrote of child labour, [amazon_link id=”B004XZBH64″ target=”_blank” ]Frances Trollope[/amazon_link] of the stigma of illegitimacy, [amazon_link id=”1853260053″ target=”_blank” ]Thomas Hardy [/amazon_link]of seduction and class exclusion. In some cases novels of social oppression had large consequences….. John Steinbeck’s [amazon_link id=”0141185066″ target=”_blank” ]The Grapes of Wrath[/amazon_link] had a comparable impact, educating the American public about the plight of migrant workers and producing support for New Deal legislation.
When the poor are in a distant country, narrative that conveys the texture of daily lives is even more urgently needed.”
But she argues that novelistic techniques should be confined to novels, while non-fiction demands analysis and evidence. She concludes:
“Katherine Boo and Siddhartha Deb could easily have included enough historical and economic analysis to permit their readers to come to some conclusions about such matters, but they did not. The result is that their books have great power to provoke emotion, but little to channel that emotion into constructive political action.”
For myself, I think that’s fine – it’s the author’s prerogative to have a book do only one thing. There’s room on the bookshelf for emotion as well as economics. However, I do agree with Nussbaum that – whatever rhetorical approach is taken – one needs to keep the boundary between fact and fiction clear.
I kind of quite like to be left to draw my own conclusions about what might be done. It seems to me that from Leviathan and the Communist Manifesto on down often times the diagnosis of a problem is better than an author’s suggested prescription for solving it, even if that was the real motivation behind publishing!
Yes, I think Nussbaum is a bit puritanical but I don’t like the lack of clarity about what’s evidence and what’s imagination…